After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.
From Feb 26th to Mar 21st Bison BC toured Europe. They hit eleven different countries in twenty-four days and played a show every night. I’ve heard somewhere that Europeans love metal so I’m sure it was a crazy good time, and did great ...
Lucky Bar owner Dylan Pitcher was on the phone from inside his Yates Street nightclub Tuesday, chatting while he rapidly ticked the final items off his “maybe one day” list of renovations.
Replace baseboards? Check. Install new oak tabletops? Check
She’s been at it for 35 years, but Toni Blodgett’s love of jazz continues to fuel her band’s unique blend of what she calls “more traditional” music.
What it really means is her group has access to a vast repertoire of jazz tunes and has develo
Barbara McCaffrey is a conceptual artist who uses fibre arts to express her ideas and experiences. She skillfully manipulates the materials at hand.
Visit the webpage here: http://www.artopenings.ca/barbara-mccaffrey.html
Joshua Watts at the Victoria Arts Council Sept 9 - Oct 30.
Review:
http://www.artopenings.ca/joshua-watts.html
Oceanside85 has a new Darksynth album out Absolution and in here to spread the synth gospel to the masses
From http://artperspective.org Our profile series 'Behind the Canvas' this week with Canadian artist, Michael Abraham. We have been following Michael's work for more than a decade and he continues to evolve, playing with scale, texture and expanding fro
Bruce Dean’s story is one of inspiration and creativity.
After a skiing accident left his knees badly injured he was prescribed a mobility scooter to help him get around, something he personally viewed as “a death sentence.” He did...
When I last interviewed Vancouver punks the Rebel Spell, I was surprised to discover that, long before the band had formed, their singer and principal lyricist Todd Serious knew the Subhumans’ Gerry Hannah. Stepha and Todd were living in ...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr