JUNO Award-winning band, Kobo Town makes a return to Kingston
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
The Bronx/ A Textbook Tragedy/ Battle Snakes @ Richard’s on Richards
April 1st 09
By: Denis Maile
My night began with me trying to scalp my ticket out front of Richard’s. I had only just found out that day that I would be on the g...
Top-notch performances from all five bands at the Rickshaw Theatre for the final BC round of Wacken Metal Battle 2015 on Friday. The winners of Vancouver’s first four qualifying rounds (Bushwhacker, Unbeheld, Medevil, and Resurgence) performed along wit
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
Richards on Richards, July 2
As someone far more familiar with the Modern Lovers than Jonathan Richman’s solo output, I had little idea what to anticipate from his show. All I know is that it took place on my birthday, and Mr. Richman ...
Yowza! Saturday night was a melting pot of birthdays, friends, and 4 of Vancouver’s finest bands all under one small jam-packed roof. Getting over the ridiculous layout of The Railway takes some time getting used to if you’re not a regu...
Fake Shark Real Zombie at Biltmore Thursday October 16
I missed opener The Green Hour to attend the fundraiser at Pub 340 for the guys in The Hotel Lobbyists. A tragedy of that scope has not hit the Vancouver scene in many years and the ...
August 14, 2008
Honey Lounge
I was shocked at how many people filled Honey Lounge to see the B-lines and the Defektors off on their tour of the West Coast, especially since the club is usually reserved for dancing college kids. The nig...
IGNITE X
Toast Of The Town at The Wise Hall
May 20th 2009
Tonight The Wise Hall looks like something out of an Elvis Presley movie: the young crowd in fancy dress appropriate to 50’s dancehall goers, as the best youth talent Vancouve...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio