It's a rare occasion when an album captures me with such force on the first listen and keeps me rapt until the closing note, but this one takes the prize. In fact this is one of the best albums i have ever heard. Rob Nicholls and Galen Rigt...
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.
BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...
'A must-have for anyone looking for a good time.
You're gonna shake your rump on the stompiest sounds
around! Lots of styles, well done, raw sound... Will
find a place within the collection (and hearth) of
people supporting self-produced bands. The ar
Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
Find someone who thinks tapes aren’t cool and I’ll shove my Sony Walkman up his bum. Tapes are still rad and this Anion tape is no different. It’s red in colour and resembling the Teenage Mutant Ninja Turtles soundtrack cassette tape ...
Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hoben’s muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, “New Bones” – formerly a chooglin’ alt-country number i...
Indie Rock Hall of Famers, Lowest Of The Low, celebrate new album release October 12 in Kingston with By Divine Right
Bill Johnson has made a fantastic release that we highly recommend.
Cadence Weapon
Afterparty Babies
Big Dada
4/5
Canada doesn't produce a whole lot of hip-hop in general, let alone the sterile mall haven of Edmonton. As such, the sophomore album from Rollie Pemberton (aka Cadence Weapon) is going to ...
A Seven Inch Mixdown by Rene Milord:
First up is an Albertan band called MYELIN SHEATHS with a disjointed, noisy, poppy, post-punk EP. It’s kind of sloppy, perhaps better live? Hozac Records 047 (at Pat’s Pub, May 6)
Next up ...
Best of 2016: The Garage received a lot of blues CDs this year and all of them were above standard, but ultimately had to be judged for other reasons of personality, believability, skill and versatility, etc. Take a bow Michael Kaeshammer a...
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...