When The Wilderness took the stage at Skeleton Park Arts Festival in the summer of 2019, they were met with uproarious applause. People got up from their lawn chairs and their picnic blankets to dance and sing along in the late afternoon su...
Soprano’s Bar, Victoria’s only live karaoke joint and notorious dive bar, has closed its doors for good, going out with a bang on New Year’s Eve.
A message posted on the bar’s Facebook page on Dec. 31 served as the official annou...
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
Martin Springett's The Gardening Club is cosmic Canadiana at its best, and his story is a CanCon prog rock version of the Searching For Sugar Man saga
A review of Everybody Left's Season One (2009 - 13) compilation album.
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
Cadence Weapon
Afterparty Babies
Big Dada
4/5
Canada doesn't produce a whole lot of hip-hop in general, let alone the sterile mall haven of Edmonton. As such, the sophomore album from Rollie Pemberton (aka Cadence Weapon) is going to ...
Montreal’s own Eternal Husbands have released their third album French Exit.
Within, the band has once again merged the ambiguous genres of pop, noise and shoegaze, resulting in their best work to date.
French Exit features soothing...