Jim Cuddy and Blue Rodeo on Kingston
Minto Climbs Olympus by Matt Hagarty
It's any young band's dream to record an album with such a marquee name as Steve Albini's. Recording with the famed sound engineer/pundit responsible for output from Nirvana, Superchunk, The Stooges,...
I’ve always thought that someone should rhyme “Erik Estrada” with “vagina dentata” in a song, and it occurred to me, when I came late and awestruck to the solo output of songwriter and Nomeansno/Hanson Brothers guitarist Tom Holli...
A review of Everybody Left's Season One (2009 - 13) compilation album.
When The Wilderness took the stage at Skeleton Park Arts Festival in the summer of 2019, they were met with uproarious applause. People got up from their lawn chairs and their picnic blankets to dance and sing along in the late afternoon su...
Unfamiliar Records.
The scene has been hit by the sharp sounds of a new five piece: The Clips. The debut album Matterhorn is made of raw, electric energy mingling among melodies. Lyrically, the album is freeform, created strictly from wh...
These gals...crazy. Vancouver to Toronto for a single gig. Fly home. Immediately pack the tour van. Cross the border at night. Drive 15 hours to a poorly attended Monday night show in Denver. Who does that? The Pack A.D., mofo, that's who....
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
Angela Verbrugge: The Night We Couldn’t Say Goodnight (Gut String) A review of the debut album from the Canadian vocalist
A quick Q&A with the JUNO-winning band ahead of their sold out show in Kingston on February 23.
Chris Koster pitches in on production of. "Strangers I Used To Love," out January 31