Nearly Famous Music Festival
Friday, November 14 @ Railway Club
This night had a definite New Wave feel to it. A draft choice of late 70's and early 80's influences was bandied about. Streetlight, a four piece of bass, drums, keyboard...
Eazy-E, Bone Thugs, Big Tymers, you name it: the bitches-n-money ghetto-rap is slamming the minute I crack the door. Jordie Dammet, bassist for bar-rock goodboys The Hotel Lobbyists (and sideman for country boozer, Shiloh Lindsey), is boot-...
5 questions for the JUNO-winning act ahead of their Slush Puppie Place performance
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr
We have lots to talk about because The Hits have been one busy band. First off, can you introduce yourself and the band and their instruments. Why no bass?
Alright, well, I am Dusty and I hit stuff really hard and sing a bit, Lou Slips...
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.
Here are some ladies that not only sing, but compose and arrange as well. Angela Verbrugge gives singers like Lorraine Feather a run for their money with her witty lyrics on her originals that area mixed with some clever covers.
Times Colonist interviews Kirsten Van Ritzen about her acting roles in television movies filmed in Victoria in 2015.
Royal City Music Project co-founder Glenn Parfitt wants valuable cultural material preserved
The Wrecktals – Speaking their mind from time to time.
An interview with bassist Christoph Leon
by Denis Maile of The Skinny
DM: How did you come up with the band name?
CL: As a reminder to never take ourselves too seriously, re...
As I Lay Dying / Misery Signals / August Burns Red / Evergreen Terrace
Croatian Cultural Centre, Tuesday April 29th
Until this impeccably brutal show, I believed the Croatian Cultural Centre was to be avoided at all costs, but the na...