Times Colonist interviews Kirsten Van Ritzen about her acting roles in television movies filmed in Victoria in 2015.
Wynn Gogol has been involved in enough recording sessions over the years to know what works in a studio setting and what gets in the way of musical momentum.
With her fifth album release on April 1 and Western Canadian tour dates throughout April, Orit Shimoni’s Bitter is the New Sweet opens up an exciting new chapter in the life of one Canada’s most brilliant and lyrically impactful vocalis...
The genre-jumping duo prepares to tour their “most country album” with a stop in Kingston June 2, 2023
Victoria musicians stage tribute to Gord Downie. Proceeds benefit Cool Aid Society and BC Cancer Agency. Interview with Lola Parks. Show organized by James Kasper of Mighty Speck Records.
I'm a white rocker, born of Abbotsford. All through high school I associated rap music with delinquents farting bass out of Honda Civics and punching people. But time passed, and at SXSW in Austin this past March, I stumble upon the Canadia...
Over a pitcher of Molson Canadian at the Princeton Pub, while a startlingly able roots-rock ensemble hosts the open stage night behind our table, we ask Bison’s vocalist-guitarist James Farwell how he feels about his band’s recent signi...
The Times Colonist attended a preview of Sin City the Improvised Serial and spoke with several cast members about the exciting Vegas 1961 setting, and the thrill of performing improvised theatre.
Thee Manipulators
The morning after I first saw local 5 piece garage rock band Thee
Manipulators I woke up with two maracas in my bed and a lot more pins
on my jacket. Strangely, I had acquired a pin of an intoxicated/hungry looking fe...
Paul McKenzie Interview Part 2
CJ: The band formed in 1992. How was starting a punk project in the high-age of grunge music?
Paul: I could bend your ear for an hour with a question like that. We knew some bands in Seattle that would set...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio