BLACK MOUNTAIN
In The Future
Jagjaguwar
When I hear Stephen McBean’s slowly-picked A-minor guitar intro for “Stormy High,” I’m almost tricked into thinking it’s a cover of “Hell’s Bells,” but then the swing-time Black...
Interview with The Delirians done in June, 2012 by D'Arcy Briggs
Ska Fest: When and where did you guys meet? When did you decide to form the band?
Delirians: Most of us, like many other bands, grew up in the punk rock scene, ...
Six Degrees of Separation: A New Generation of Canadian Artists
Curated by Noah Becker
Claire Oliver Gallery
513 West 26th Street
New York, NY 10001
October 14 through November 13, 2010
Over the course of the last decade, the glob...
Victoria's Maureen Washington lays it all on the line in her new album, which remembers her husband
When I last interviewed Vancouver punks the Rebel Spell, I was surprised to discover that, long before the band had formed, their singer and principal lyricist Todd Serious knew the Subhumans’ Gerry Hannah. Stepha and Todd were living in ...
Kingston band and founding member "are parting ways."
The genre-jumping duo prepares to tour their “most country album” with a stop in Kingston June 2, 2023
GWAR – Oderus Urungus Does Not Smoke Crack Well With Others
Oderus Urungus is not the sort of intergalactic barbarian warlord who minces his words. I spoke with the leader of GWAR recently, and between copious puffs on his crack pipe,...
Yvonne was interviewed for the Sept/Oct 2015 issue of YAM magazine, where she discussed her role as Victoria’s Poet Laureate.
Redcat Records
Some say country-rock died with Gram Parsons premature passing in 1973, casual fans say it’s when the Eagles sold-out and recorded Hotel California, but almost everyone can agree that just as quickly as it came – it w...
It’s been six long years since Carcass were last in Western Canada, and in the months since the Decibel Tour was announced, an electric atmosphere of anticipation has grown to a fever pitch for tonight’s show. This is shown from the ear...
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr