Life's Work: A Visual Memoir
by B.A. Lampman
at the Victoria Arts Council Gallery
June 3 - July 17, 2022. Opening June 3, 7:00-9:00
Preview:
http://www.artopenings.ca/ba-lampman.html
Lowest of the Low headline this fundraising concert, September 3 at The Creekside just north of Kingston.
Indie Rock Hall of Famers, Lowest Of The Low, celebrate new album release October 12 in Kingston with By Divine Right
Swank sashayed out of Van this summer. How many gigs in how many nights?
6 gigs in 6 sweaty nights! It was like a military operation, but with booze.
Name clubs and the bands that you played with.
The Grateful Fed, Kelowna, The S...
Jason Flower’s fantastical journey in music has taken him to some faraway places.
Poland, India, Italy, Spain, Portugal, Switzerland. All the while, Flower kept tabs on music being produced at home and abroad, which resulted in the creation of Suprem
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
Victoria musicians stage tribute to Gord Downie. Proceeds benefit Cool Aid Society and BC Cancer Agency. Interview with Lola Parks. Show organized by James Kasper of Mighty Speck Records.
Grade 4/5 students attending McKenzie Elementary produce poems and pictures for Swan Creek bridge
Eric joins Jon Williams on the Afternoon Zone to talk about the upcoming 10th Anniversary of the band.
“We weren’t necessarily going for an animal name,” Bison BC co-guitarist/ co-vocalist James Farwell tells me when I ask about the name Bison. “We’d tossed around these Godawful made up words - ‘what looks good in a good metal fo...
Alone with Trees, Grant’s solo show at the Gage Gallery,
presents a unique vision of BC’s coastal landscapes. Drawn in by the lush colours and flowing textures, the viewer must interpret the subtext of these surreal environments. Visu...
Hush Hush Noise - Band Of The Month
“You shouldn’t start telling a story if you don’t have a story to tell.” From his seat in the lunch room of Vancouver’s Orpheum Theatre, Tuomas Holopainen leans forward and speaks into the digital audio recorder resting on the coffee table in fr