Two shows, one night.
By: denis maile
I shouldn’t write this review. I didn’t know it was going to happen. I didn’t plan on hitting two shows, I didn’t plan on writing about my night, and I didn’t even plan on getting drunk. ...
Review of Ensemble Laude's Winter concert, 2014.
To understand the resurgent popularity of thrash metal among a new generation of fans one need look no further than Brazilian thrash stalwarts Sepultura.
w/ The Tranzmitors / Master Apes / Los Tycoons
The Biltmore Cabaret
July 11th, 2008
Mmmm! The Biltmore, with its refurbished red booths, red lights, cavernous mystery – once the most depressing waste of space in Mt. Pleasant, it is...
JUNO Award-winning band, Kobo Town makes a return to Kingston
Top-notch performances from all five bands at the Rickshaw Theatre for the final BC round of Wacken Metal Battle 2015 on Friday. The winners of Vancouver’s first four qualifying rounds (Bushwhacker, Unbeheld, Medevil, and Resurgence) performed along wit
Dick's On Dicks, Wed.June.18th
With the 2008 Vancouver International Jazz Fest getting under way, the illustrious Commodore Ballroom is pretty well taken for a month or so solid at this time every year. As such, I was not so much surpris...
The Sweatshop, June 22nd
I walked into the dimly-lit Sweatshop to catch the tail end of System Shit’s wonderfully sloppy set. Who would have thought that a punk gig would start at 7pm? Fear of Tomorrow hit the stage and began to sonica...
Thursday, November 13 at Honey Lounge
The crystal chandeliers and velvet couches of Honey Lounge are the perfect backdrop for an eclectic band like Vonnegut Dollhouse. Formed two years ago by keyboardist James Ford and vocalist/guitar...
A review of Bat Sabbath with Black Mastiff and Ethereal Tomb, November 26 at The Broom Factory.
November 4th, Venue, Vancouver
Strolling down Granville Street to Venue, I couldn’t help but notice the somewhat historic 50-foot “Plaza” sign still hanging outside the newly renovated room. That sign was a beacon of nostalgia...
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,