Derek Miller
The Dirty Looks
Arbor
I try to balance the good and bad in my reviews, even if I'm not into the style. I don't like saying it, but the sophomore album from Ontario's Derek Miller thoroughly sucks. It sounds like a bar band...
Let me preface this review by saying Iâve known Summer since she was barely out of her teens and coming out to sit in or jam at various venues I was playing at around Victoria BC. Iâve watched her career with great interest and she has ...
'A must-have for anyone looking for a good time.
You're gonna shake your rump on the stompiest sounds
around! Lots of styles, well done, raw sound... Will
find a place within the collection (and hearth) of
people supporting self-produced bands. The ar
Here are some ladies that not only sing, but compose and arrange as well. Angela Verbrugge gives singers like Lorraine Feather a run for their money with her witty lyrics on her originals that area mixed with some clever covers.
Montrealâs own Eternal Husbands have released their third album French Exit.
Within, the band has once again merged the ambiguous genres of pop, noise and shoegaze, resulting in their best work to date.
French Exit features soothing...
Produced by Hawksley Workman, Wind Up/Let Go is a tasty, ten-track synth-pop treat.
Aztec Releases The Best Indie Rock Album Of The Year With Stitches
CD REVIEW
The Bicyclesâ Oh No, Itâs Love is not the kind of record that warrants a large, wordy review filled with pretentious journalistic nit-picking. The fact of the matter is simple: Oh No, Itâs Love is filled to the rim with h...
Cracker
Sunrise in the Land of Milk and Honey
429 Records
Since the early 1990s, and most famously with 1993âs platinum selling Kerosene Hat, Cracker has been providing an interesting take on contemporary alternative country (think ...
Lay it On Me
Self-distributed
Waa-BOOM! With an album title ripped from frontman Ryan Hobenâs muscleman tattoos, indiefolkrocksters Minto punch it open with sludgy dirge, âNew Bonesâ â formerly a chooglinâ alt-country number i...
Bill Johnson contributes eight originals to his Still Blue, each one a fine example of a contemporary blues song, not merely a retread of a familiar 12 bar theme, and each sung in his evocative voice. The variety of approaches, from the sne...