Royal Unicorn Cabaret
April 25th, 2008
A pointless evening, overall; I came for Black Betty – Black Betty did not come! Ana was sick. They were replaced by the comparable, admirable Hezzakya, with huge double-stacks of amps-amps-amps ...
Bluegrass fans were treated to a lively and fun evening Friday night, Nov. 4, at Char's Landing.
Bluegrass Fever tore through an eclectic repertoire, consisting of traditional American tunes like Sweet Sally Brown and Fly Around My Prett...
Nearly Famous Music Festival
Friday, November 14 @ Railway Club
This night had a definite New Wave feel to it. A draft choice of late 70's and early 80's influences was bandied about. Streetlight, a four piece of bass, drums, keyboard...
Richards on Richards, July 2
As someone far more familiar with the Modern Lovers than Jonathan Richman’s solo output, I had little idea what to anticipate from his show. All I know is that it took place on my birthday, and Mr. Richman ...
Nervous Fellas with Deadcats and Swank
June 20th, The Rickshaw Theatre
By Allan MacInnis
I remember witnessing a leather-jacketed rocker viciously take to pummelling a much smaller, dreadlocked kid at a Reverend Horton Heat show a few...
Valley brought their ‘Water the Flowers, Pray for a Garden’ tour to The Ale House on November 7
Scatterheart w/ Bike and Los Furios @ The Commodore Saturday March 27 2010
Love: A deep, tender, ineffable feeling of affection and solicitude toward another, such as that arising from kinship, recognition of attractive qualities, or a s...
White Lung/Abe Vigoda/Vivian Girls
Biltmore Cabaret
April 29th 2009
One unassuming day last summer, I went to the Astoria to see a girl band that was on a label I really love – In The Red. They were called the Vivian Girls, and they ...
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio
The ceramic sculpture of Samantha Dickie conveys both mystery and metaphor. The intriguing textural forms of her multi-component installations invite investigation. What are the structures made from? What do they contain? Why are some surfaces channelled,
April 10th, 2009
Cannibal Corpse/The Faceless/Neuraxis/Obscura
Croatian Cultural Center
By Marcell Fraser
Easter Weekend: there could be no more appropriate time to witness a death metal show such as this, and the more than solid bill...
October 27th 2009, the Rickshaw
After braving the absurd line-up of punks with little choice but to chain smoke furiously in an attempt to keep warm, I finally made it inside the Rickshaw Theatre---after an hour and a half. I guess...
Two years after their Kingston debut, Comeback Kid returns to headline own show at The Broom Factory.
Review of geode inspired work by Charine Barber seen at the Sooke Fine Art Show.