Glorywhore is a great name, and when playing with HookerPop, it's awesome. In the first week of the New Year, I went to the Princeton to check out Glorywhore. What I got was a petite Suicide Girl, Maiwan, with her incredible scratchy growl ...
Live-show extraordinaire act APEX BREAKS are quickly rising up through the ranks with their unique twist of Psychedelic Jungle Funk. The devoted 10-piece are carving out a lasting career for themselves, and kindly took part in an interview to delve a litt
I’ve heard from numerous sources that the dance floor at the Commodore is supported by a layer of tennis balls, but I’ve never had cause to believe it until TV on the Radio unknowingly put this hearsay to the test. During a visceral tak...
Camille Miller
Somewhere Near the Truth
Independent
Camille Miller’s voice is the centerpiece of this recording. A finely honed instrument that's passionate, soulful, and downright riveting, without being overbearing. Camille's song...
The ‘Kill the Elite’ tour has been mercilessly trampling its way across North America, and with tonight’s show including Vancouver’s newest international extreme metal export Archspire and being headlined by Canadian legends Katakly...
Acclaimed Delta blues disciple and storyteller extraordinaire plays The Cove Inn, November 14.
For those unknowing, Bison are Vancouver’s currently-reigning champions of The Riff, trafficking in mercilessly heavy, sludgy, and addictive sonic terror. Think discarded beer cans peppered with shotgun holes, full-size back-patches, pall...
Sleep and Black Wizard, Commodore Ballroom, Vancouver February 7th 2015
While there has been much to enjoy with the spate of band reunions in recent years, (how many fans have had the renewed opportunity to witness performances by Carcas...
Critical comments by various curators and interviewers of artist Brandy Saturley
Award-winning Canadian blues king performs the Blues at The Cove series, January 17 and 18.
This is the Sleep Factory, Trish Shwart’s exhibition at Martin Batchelor Gallery that opened on November 7th, with a persuasive performance by the artist as a marketeer, and continues with a visual smorgasbord of parodies that explore the commodificatio